Using built-in presets, we can apply styles quickly. In the Text Inspector pane we can modify the content and appearance of our text.If you want to animate these features, you’ll need to use Final Cut Pro X’s keyframe system. Titles can be moved around the preview window with the positioning sliders in the inspector.Title Tips and Tricks for Final Cut Pro X These titles can then be exported from Motion and into Final Cut Pro X’s user presets. If you find that these tools aren’t powerful enough o accomplish what you want, Apple’s Motion allows you to create your own Title presets with a far broader range of tools. Text can be extruded into three-dimensions, given a drop shadow to separate it from the background, and more Photoshop-style layer effects that help the text to better blend with the underlying video footage. We can also add additional visual features is the dropdowns below. This controls the appearance of the front, or face, of the title. To change the color of the text, use the Face section. If the section is hidden, hover your cursor to the left of the undo arrow and click Show, or double-click on the section’s name to reveal the section. In the Basic section below select the typeface, text size, and and other text options. If your content does not fit on the screen, you may need to manually insert line breaks or use multiple title cards. To enter the title’s content, select the content of the Text textbox and replace it with your own content. For our titles, click the adjacent Text Inspector icon in the Inspector toolbar. This pane is employed by pre-built titles that expose certain settings for quick user configuration. Of the several inspector panes available, you might intuitively select the Title Inspector icon, but this won’t help. If the Inspector pane is hidden, reveal it by clicking the Inspector’s slider button. You will know it’s selected if it’s highlighted in yellow. You can drag the title into the timeline or double-click to insert it at the playhead.Ĭlick on the title in the timeline to select it. Select Basic Title and insert it into your timeline. We can modify the details of any title, of course, but making a static centered text title from scrolling Star Wars pre-roll text is the slowest way to make progress.įor the purpose of education we will start with a rudimentary title and work our way up. In generally, we want find the title that is closest to your end goal and select that for this project. This pops open a window with Final Cut Pro X’s preset titles. In the Library pane in the upper-left, click the “Titles & Generators” sidebar button. Titles should be added near the end of the editing process, after the primary picture and sound have been largely locked. Start from an existing Final Cut Pro X project. Final Cut Pro X isn’t isn’t trying to include all of After Effects in their video editing platform, and it does allow the user to swiftly create highly functional if samey title cards. But that’s when you turn to After Effects. For enthusists and skilled amateurs (and indeed, professionals), Final Cut Pro X’s title tools might seem limited or poorly built. But, overall, the system fits in well with Final Cut Pro X. It’s best to practice before you leap in to a real project, especially because Final Cut Pro X’s user interface isn’t best suited to the fiddly sliders of complicated titles and the inspector window can sometimes fight your intentions. Effects, on the other hand, have their own generators. In this case, they’re produced by the title generator. From intertitles to credits to chyrons, any text (or indeed, any non-video objects) that appear in the project come by way of Final Cut Pro’s generator system. While these uses all have different names, they are simply different permutations of the same basis titling systems used in Final Cut Pro X. This could be something like the title of a video, the location of a scene, the role of an interviewee, or a source for archive footage. By using titles, you can add text to your Final Cut video projects.
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